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Epiderm brings together autonomous works conceived as threshold surfaces, where matter records pressure, time, and contact.​

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Urushi lacquer and incision operate not as decorative processes but as acts of inscription and resistance.

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The surface does not display; it retains. Words appear as scars, embedded within the depth of the material. Between opacity and reflection, Epiderm opens a site of passage where the surface cease to be a skin and becomes memory.

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